Country music just got one of the most powerful chills-down-your-spine moments in years, thanks to the Grand Ole Opry pairing George Jones with Alan Jackson on “He Stopped Loving Her Today.”

The Opry, celebrating its 100th anniversary, decided to reach into its vault of history and bring two unforgettable performances together. On one side is George Jones, who, in 1993, sang what many call the greatest country song of all time. On the other is Alan Jackson in 2013, standing on that same stage and carrying the torch for Jones just days after “The Possum” passed away. It is not just a duet, it is a time-bending collision of legacy and tribute, and it hits harder than a shot of Tennessee whiskey.

“He Stopped Loving Her Today” was already the song that cemented Jones’ place as the “Rolls-Royce of Country Music.” Released in 1980, the heartbreaking tale of a man whose love only ends in death won him a Grammy, a CMA, and an ACM. It also won him generations of fans who believed no other voice could ever deliver that kind of ache and authenticity again. However, when Jones died in 2013, Alan Jackson stepped onstage at his funeral to sing the very song that defined Jones’ career. There was no spectacle, no overblown production, just Jackson’s voice breaking as he paid respect the best way he knew how.

The Opry has now stitched those two moments together for its Opry 100: Country’s Greatest Songs project, and the result feels like sitting in a church pew while the ghosts of country’s past and present trade verses. Jones’ grizzled voice kicks it off, and by the time Jackson answers him, the line between past and present is gone. For anyone who grew up with these legends, it is a gut punch of nostalgia and reverence.

This is not the kind of “duet” you hear from slick Nashville marketing machines that try to cash in on old masters. This feels raw and honest, and it carries the weight of history. Jones’ performance reminds you why he earned the nickname “The Possum,” that weathered tone wrapped in heartbreak. Jackson’s voice, clear but trembling with grief, shows what it means when one giant tips his hat to another.

Fans have already been flooding the Opry’s YouTube page with comments that sound like love letters. “Back when music was real,” one wrote. Another simply said, “I miss you, Possum. The best country song ever.” It is a reminder that while country radio might chase trends, the real lifeblood of this genre has always been about truth and tradition.

The duet is one of 20 tracks featured on Opry 100: Country’s Greatest Songs, which releases on November 7. The album includes Marty Robbins with Marty Stuart on “El Paso,” Patsy Cline’s “Crazy,” Johnny Cash’s “Ring of Fire,” Loretta Lynn’s “Coal Miner’s Daughter,” and Reba McEntire’s “Fancy.” It is a lineup built to remind fans that the Opry is not just a venue, it is the keeper of country’s soul.

The George Jones and Alan Jackson duet, though, is the crown jewel. Because more than just a song, it is a bridge across decades and a passing of the torch from one master to another. And in a world where country music sometimes feels like it is losing its way, the Opry just reminded us of what “real country” sounds like.

So when you hit play and hear Jones start in on “He said I’ll love you till I die,” and then Jackson answers years later with the same line, do not be surprised if you feel the hairs on your arms stand up. That is country music doing what it does best, cutting you right down to the bone.