It started with a joke about Jesus driving a Toyota.

Back in 2005, Brett James, Hillary Lindsey, and Gordie Sampson sat in a little Nashville house with nothing but coffee, guitars, and a half-baked title. The idea was “When Jesus Takes the Wheel.” At first, even Brett thought it was too weird. Who was going to buy into that? Jesus sliding behind the wheel like a long-haul trucker? They laughed it off and moved on to other titles, but they hit a wall. Then the song came back around, and they gave it a shot.

It turned out that shot rewrote country history.

The story they built was simple. A young mother hit black ice on the road, her hands shaking on the steering wheel, and she made a desperate cry for help. “Jesus, take the wheel.” Hillary sang the demo with a fire that sold it. Brett didn’t even believe it was one of his best, and he nearly cut it from the demo session, yet it ended up as the last track to make the list.

Then Carrie Underwood came along.

Fresh off American Idol, she needed a song that would tell Nashville she wasn’t just a reality TV kid. She needed something that would stop people in their tracks, and “Jesus Take the Wheel” was that song. She debuted it on the CMA Awards, and from the first line that said, “She was driving last Friday on her way to Cincinnati,” the crowd knew they were hearing something different.

Carrie did not just sing it. She testified.

The song tore up the charts and hit No. 1, and it also earned Brett James, Hillary Lindsey, and Gordie Sampson a Grammy for Best Country Song. More than the trophies, it hit listeners like a thunderclap. Fans were not just humming along. They were telling stories about pulling off highways in tears, about near misses on icy roads, and about recommitting to their faith because a three-and-a-half-minute country ballad told them it was possible.

That kind of impact does not come along every day.

“Jesus Take the Wheel” became the kind of song that outlives radio cycles. Fifteen years later, Carrie still includes it in her setlists, and the arena still hushes when she does. Ministers use it in sermons, and fans use it as a testimony. Even people outside country music recognize it for what it is, which was one of those lightning-strike moments when Nashville stopped chasing trends and leaned into something bigger.

Now think about this. The song almost didn’t exist. If the writers had not circled back to Gordie’s title, or if Brett had cut it from his demo session, or if Carrie had not picked it for her debut, the most important song of her career might never have happened. Call it fate, call it faith, or call it luck. In this case, the wheel got yanked hard, and country music still has not let go.

Brett James once said he worried people would not get it, and that maybe the phrase was too far out. It is funny how “too far out” ended up parked in the Hall of Fame of country hooks. Today, you can drop those three words in any crowd, and someone is going to finish the line.

Carrie has had plenty of hits since, like “Before He Cheats,” “Blown Away,” and “Something in the Water.” But “Jesus Take the Wheel” was the spark. It was her handshake with country music, the song that proved she belonged, and the anthem that still follows her wherever she goes.

It started with a laugh, but it ended as a prayer. Nearly two decades later, it still cuts straight to the heart.